KASE SENSEI SPEAKS
(Notes of conversations with Taiji Kase, Hasselt, Belgium, April
2000)
© Graham Noble
Actually, I had met Taiji Kase twenty years ago when I had the
opportunity to talk to him about the development of Shotokan karate.
It was a fascinating conversation for me, but unfortunately it only
lasted twenty minutes or so, and since that time I had always wanted
to meet him again, because Kase has pretty much seen it all ... Gichin
Funakoshi and his talented son Yoshitaka, the old Shotokan dojo, the
post war years and the competition with other styles, the founding of
the JKA ... over 60 years of experience with karate and budo.
Well, it took a long time, and I thought Kase Sensei's recent heart
attack might have prevented it, but when he gave a comeback course in
Belgium in May 2000, I made arrangements to meet him and the
following is a summary of our conversation.
Taiji Kase was born in 1929 and he started his martial arts training
in judo at the age of six. But, then, when a young Marine Cadet of
fifteen he saw Gichin Funakoshi's book Karate-do Kyohan and that
generated an interest in karate which has never left him. He went
along to the Meijiro section of Tokyo to enroll in Funakoshi's
Shotokan dojo, and then, when he saw Yoshitaka Funakoshi practising
kicking techniques - and here Kase gestured
"Maegeri-Mawashigeri-Yokogeri - Whoosh! Whoosh! Whoosh! - he was
amazed, and even more determined to learn such a strong fighting art.
At that time Gichin Funakoshi had retired from teaching and passed
leadership of the Shotokan to Yoshitaka, his third son: Yoshitaka,
apparently, was given a stamp, a seal, to recognise this authority.
Master Gichin may have given a little instruction now and then,
however, because Kase remembers one occasion when he was shown how to
make a fist by the old master. This was in the form shown in Gichin
Funakoshi's first books, but by then more or less obsolete, where the
index finger is not curled up in the fist, but stretched out so that
it rests on the palm at the base of the thumb. At the next training
session Yoshitaka noticed this and asked Kase "who showed you how to
make a fist that way?" Although a little hesitant the young Kase
replied that it had been his father. "My father taught you that?"
said Yoshitaka, before correcting Kase's fist and saying that that
old method was "farmer's karate ... but when he said all that it was in
a humorous, good natured way.
Yoshitaka was the Chief Instructor of the Shotokan but he was
assisted by Seniors Genshin Hironishi (who had returned from the
Chinese battlefront a couple of years before), Yoshiaki Hayashi (who
was the model for Ten-no-kata in the 1943 Karate Nyumon), and Wado
Uemura. Shingeru Egami, another of the leading lights in Shotokan
karate, was back in Kyushu looking after the family business.
Although this ran into difficulties after the war, during the war
years it was a significant business employing a hundred people and
Egami was a fairly rich man. At any rate, this kept Egami back in
Kyushu, although Kase thought that he would come up to Tokyo now and
then to train for short periods with Yoshitaka.
There is a well known series of photographs of Egami and Yoshitaka
taken in the late 1930's. I showed Kase Sensei some of these and he
commented that they were taken some time before he started at the
Shotokan. When he knew Yoshitaka he had put on a little more weight
and had a noticeable stomach. He wasn't big or muscular, but had a
whole-body power, which made his karate very powerful. Yoshitaka
style, said Kase was a "speed plus power" karate.
And yet, although Yoshitaka appeared healthy and strong on the
surface, he had suffered from tuberculosis since he was a child. In
fact, said Kase, "Yoshitaka had been told at seven years old that he
would not live past twenty, and so when he reached twenty, then
twenty one ... twenty two, he was surprised, and he may have attributed
his survival, or part of it, to his karate training. Kase thought,
however, that Yoshitaka may have had something of "a complex" about
all this, since he knew that at any moment he might become seriously
ill and die. Although Yoshitaka did teach at the Shotokan in those
later years, Genshin Hironishi told Kase that he would have to sleep,
or rest in bed all day, to conserve his strength for those evening
training sessions.
Taiji Kase had heard some Yoshitaka stories. There was the famous
Shito-ryu instructor who supposedly had a "special technique" which
would always gain him victory. When he tried to apply this against
Yoshitaka, however, he was countered and thrown back several yards
across the dojo. Another well known teacher - it was Kanken Toyama,
Kase said - was supposed to have a secret "tearing the flesh"
technique. Yoshitaka told Toyama to try that technique on his thigh
muscles. Toyama gripped Yoshitaka's thigh but nothing happened.
Yoshitaka told him to try harder ... nothing. Kase chuckled as told
these stories.
Was the training at the Shotokan hard at that time? Yes, because this
was the war and the attitude to training was very serious. A lot of
kumite was practised, gohon and sambon kumite, and jyu-ippon, and
every effort was made to hit with the attack. There was a kind of
sambon kumite done in a "rushing" style where you tried to catch your
partner. Were people hurt or injured during practice? Oh yes.
Sometimes university students would come to the dojo and since they
were often more experienced, very fast and strong, you would be very
apprehensive about facing them in kumite.
Well in 1945 the Shotokan was destroyed in a bombing raid, then Japan
surrendered, and then Yoshitaka Funakoshi died, all within a few
months. Karate practice stopped for a time, but then it slowly began
to pick up. As early as 1947 in Life magazine there was a two page
feature on karate practice in Japan, and when I showed this to Kase
Sensei he immediately identified the two karate in the main photo as
Hiroshi Kamata and Gojuru Harada. Karate was fortunate, in fact, in
escaping the American Forces ban which affected judo and kendo at
that time. Kase explained that this was because the karate groups
described their art as of "Chinese origin" rather than Japanese, and
the Americans left them alone.
After the war Taiji Kase enrolled at Senshu University where he
continued his training and became the captain of the karate team. The
Sensei there was Genshin Hironishi and his training was hard. Then
Kase heard that Shigeru Egami was teaching at Chuo University, so he
went over to Chuo to train with Egami too ("very sharp technique").
In fact, the young Kase was passionate about karate, and when I
showed him a group photo taken in 1951 he pointed to someone in the
front row (I didn't quite get the name) and said that the well known
Tadao Okuyama used to lodge at his house. So Kase made contact with
this person because he really wanted to learn from the enigmatic
Okuyama.
There is a karate story here which is almost forgotten. When we were
talking about the wartime Shotokan, Kase Sensei mentioned that
Yoshitaka's group was involved in teaching secret agents. "The Nakano
School?" I asked and Kase replied yes, and he stressed that the
authorities had gone to Yoshitaka and asked him to teach there. But,
he added, some of Yoshitaka's pupils advised him against direct
involvement, so it was Tadao Okuyama who was actually sent. Yoshitaka
Funakoshi was officially the instructor, and he may have gone there a
few times, but it was Okuyama who did most of the teaching. "What did
he teach?" I asked. "Killing technique!" Kase replied.
Anyway, Kase did study with Tadao Okuyama in that post war period and
he told me that Okuyama had "very special technique". When I asked
him about that, he simply shook his head and smiled. Okoyama was
indeed special, and looking again at that old photo, with all the
various Shotokan seniors, Kase said that he thought, of all that
generation, Okuyama was "the highest". At one time he had gone away
to the mountains to train, and then later he became involved with the
Omotokyo sect of Shintoism, the same sect of Shintoism that
influenced Morihei Uyeshiba, as a matter of fact. Okuyma became the
bodyguard of the head of Omotokyo and lived in the group's
headquarters, which made him somewhat difficult to contact.
Yoshitaka Funakoshi's idea was that karate should develop
continuously, and Okuyama had taken this idea to its full potential -
"Develop, develop, develop," said Kase. He didn't believe in hundreds
of mechanical repetitions, but was always searching for the true
technique, and Kase said that Okuyama had "a special kind of power,
not from the muscles, not from kime, something else". As an
interesting aside to all this, Kase thought that Shigeru Egami may
have got some of his later ideas from Okuyama. "Not copied", he said,
"but got idea".
In those post war years the different karate groups would sometimes
get together for joint training (kokan geiko) and often these
sessions would get very physical, especially when style rivalry was
also involved. Kase Sensei remembered the time in 1949 when the
Shotokan Universities of the East of Japan went down to Kyoto to meet
the Universities of the West - Ritsumeikan, Doshisha, Kansoi and so
on; mainly Goju groups, with maybe a couple of Shito-ryu. Kase
recalls that, before the kumite sessions began, the Shotokan seniors
told the students that this was to be "non-contact!" - but they
wanted it clearly understood that when they said "non-contact!" they
really meant "contact!" Since the Goju seniors gave a similar pep
talk to their students, the kumite rapidly developed into something
of a bloodbath, with many of the participants being knocked down or
unconscious, or having their teeth punched out.
A meeting was called on whether the kumite should stop because of the
injuries that were occurring, some people did want to call a halt but
Taiji Kase said that as long as they could stand up they should
continue. Anyway, it was agreed that the captains should fight, and
Kase faced the captain of Ritsumeikan, who he succeeded in knocking
down. Did he get injured himself? I asked. No, he was lucky, though
he just managed to evade the Ritsumeikan man's haito, which flew past
his head - Kase remembers it brushing through his hair.
The Goju people were rough, Kase recalled, although the Shotokan
style, with its longer range yoko geri and mawashi geri attacks,
worked well against them. Goju was more a close quarters style and at
that time the Gojo karate didn't use those kicking techniques. It was
only more or less from that time that these techniques began to
spread into Goju.
Shotokan karate wasn't highly organised at that time, but the various
groups or fractions - the university based groups of Keio, Hosei,
Waseda, Taushoku, Chuo and Senshu - all managed to work together.
When Kase passed his third dan grading in 1949 he did it before a
panel composed of seniors from all the universities, and he passed
along with Jotaro Tagaki of Chuo and Shimamura of Takushoku. Things
seemed to be gong well enough, but of course there were technical
differences between the groups, and also between those who had stayed
in Japan during the 1930's and 1940's, and those who had been away
serving in China, Manchuria, and other parts of the Japanese empire.
Back in 1981, for example, Kase had told me that when Masatoshi
Nakayama came back to Japan after the war he saw the younger students
practising yoko geri, mawashi geri and so on, and said "That's not
Shotokan karate!". In Belgium, Kase Sensei confirmed that story,
explaining that Nakayama had said "Not accept, not accept". Of
course, by that time those techniques were becoming well established,
and not long after that Nakayama himself was including these
techniques in his demonstrations.
In the 1950's the different Shotokan factions began to break away
from each other, and Taiji Kase joined the JKA as one of its senior
members. The way this happened ... Kase had left university and was
living in a suburb of Tokyo, Hidetaka Nishiyama lived close by and
would often try and persuade Kase to come in with the JKA group. Kase
was in two minds about it, as he had come up with the Yoshitaka
Funakoshi, Hironishi group, and he told me in fact that many of
Hironishi's students tried to persuade him to have a permanent dojo
where they could establish an association to train in and teach
karate. But that never happened, and so Kase did join the JKA, and
that gave him the life in karate that he wanted.
I remarked to Kase Sensei that the JKA of that time, the Yotsuya dojo
set up, was predominantly run by Takushoku men, did that cause any
difficulties for him, coming from Senshu? No, he said, and that was
due mainly to Masatoshi Nakayama. Nakayama had a good heart and
wanted everybody to work together, so there wasn't a problem.
Actually, Taiji Kase was a very important member of the JKA. He was
one of its directors, was involved in formulating its first contest
rules, and was a senior instructor, which meant that he was
responsible for teaching that first generation of international
instructors. Names like Hirokazu Kanazawa, Keinosuke Enoeda and
Hiroshi Shirai. Those three JKA champions in fact, made a world tour
in 1965 along with Kase, giving demonstrations wherever they went.
Terry O'Neill, ex-captain of the British Karate Team, saw one of
those early demonstrations and he told me that Kase was clearly in
charge, often telling one of the others to get up and work with him,
and occasionally knocking them about a little. "So they deferred to
Kase as the senior?" I asked Terry. "Oh yes", he replied.
"Definitely".
The JKA began sending instructors abroad around 1960, and Kase
himself joined that exodus a few years later. He taught in South
Africa for a while, and then he settled with his wife and daughters
in France, which has been his base for the last thirty years.
It was Henry PlÈe, the founder of French karate, who brought him, and
there was an element of chance to it all. PlÈe had organised his
summer course at St. Raphael and had booked Hiroshi Shirai to teach.
But Shirai couldn't make it and he arranged for someone else to come
instead, and when PlÈe saw that it was Kase ... well actually, he felt
let down. PlÈe had never met Kase but he had seen photos of him in
Karate, a pocket book in the old series Marabout Flash, and had not
formed a good opinion of his technique.
But, he resigned himself to the change of teacher and then, as the
course got underway, his view quickly began to change. Kase had a
good rapport with the students, and in terms of karate, "une
technique formidable". At the end of the course it was agreed that
Kase would come to teach at Henry PlÈe's famous dojo in the 5th
Arrondissement of Paris ... and PlÈe wrote an article for his Budo
Magazine Europe entitled "Dangers Sur Les Interpretations Des Photos
De Karate", (Dangers in judging karate from photos).
In fact, Taiji Kase was strict in teaching kihon and kata, but in
kumite his technique was much freer. The important thing here was
timing, movement, and applying power at the right moment. Tommy
Morris, the well known Scottish karateka, who trained at PlÈe's dojo,
told me that in kumite, Kase "could really move". Unfortunately there
doesn't seem to be much footage of him from this time. I have a short
clip of him defending against two attackers in a demonstration at a
British Championships - he appears to throw them about easily - and a
performance of Meikyo kata in an IAKF Championships a few years
later. In contrast to the kata we see today, Kase's Meikyo isn't
exaggerated or theatrical; the technique is economical but strong,
and the movement is smooth, both across the mat and in the transition
from one technique to another; the kata of a mature karateka, you
might say.
I've corresponded with Henry PlÈe for years, and when I was in Paris
a couple of years ago we talked about the various Japanese Sensei he
had brought over to teach at his dojo in the 1950's and 1960's -
Hiroo Machizuki, Tetsuji Murakami, Tsutomu Ohshima, Mitsusuke Harada,
Taiji Kase. Henry said that he would often test the strength of these
instructors by sparring with them soon after they arrived. For
instance he had hit Murakomi with a forefist punch, leaving a lump
the size of a small egg on his forehead. Had he done kumite with
Kase? Oh yes. Henry had many years of judo practice behind him and so
after a few moments he moved in and tried a judo throw. But Kase
didn't budge - "He was like a rock" - and then when Henry released
his hold and tried to move back he was hit by a Kase side kick which
double him up. "Okay", he said to Kase, "now I know who is the
strongest!"
I asked Kase Sensei about this and he chuckled. Yes, that had
happened. PlÈe had done judo, but then he was an experienced judoka
too, and "Japanese judo level very high".
PlÈe told the French magazine Bushido: "Kase Sensei is only a small
man but one who has mastered the sense of combat. His exceptional
worth lies in his practice of two forms of karate. One based on
combat, and the other on practice of the fundamentals. Another
advantage that he possesses is a simple strategy: he adapts to his
opponent. He sees that opening, and helped by his sense of timing, he
moves in. What underpins his strength is his experience of real
combat. Here is an example, several times I witnessed the special
training sessions between him, Shirai and Enoeda, during which they
worked on fighting. If the reach and speed of the other two enabled
them to extend him, then immediately Kase Sensei would step up a
gear. They would back off. These workouts, believe me, were
something! They helped me understand what is combat in karate, and
real combat, even if the rules are still respected. Morevover, it
seems to me that his judo experience helps him. He has learned well
the way bodyweight moves. He knows when the opponent can or cannot
attack, that is to say, when the opponent is in the process of
transferring his bodyweight then he cannot attack. That is the moment
when Kase Sensei launches his famous deep attack. I think that judo
is present in his method of fighting. I remember when he arrived in
France, the French karatekas were influenced by Shukokai style, with
a fighting posture where the weight was very much on the forward leg,
and of course, it amused him to throw these unfortunates. But don't
try to do the same with him. He can't be uprooted. Occasionally I
would work out with the different experts who I brought to my dojo.
Having some experience of judo, I sometimes surprised them and
occasionally threw them. But I never succeeded in doing that with
him. He's like concrete. For me, he is the best fighter I have met.
He love's fighting and never refuses a match. Here's another story. I
do not know if French karateka remember Baroux. [Note: Patrick Baroux
was European karate champion in the 1960's.] I was fond of him and I
was very moved by his death. Moreover, he was a great champion. He
used to train with me. One day, returning from the European
Championships, where he had won the title, he said to me. "You know,
I think I can beat Kase Sensei. I'd like to try." I told Kase, who
said to me quite simply. "No problem, whenever he wants." The session
took place in the dojo, near to the entrance. He let Baroux do two or
three techniques, then he stepped up the pace. He made a meal of him,
as it were. Later, Baroux told me "I would never have believed it.
What a man!"
After his contract with Henri PlÈe finished, Kase set up on his own,
and gave courses throughout Europe. He was still with the JKA and
remained with them till the political problems of the 1980's, when he
left to set up his own organisation. As Henry PlÈe said, Taiji Kase
was never a politician or an intrigue. He just wanted to do karate,
and the break allowed him to do that in the way he wanted.
Kase has not had a permanent dojo for years, preferring to travel
around Europe (or wherever) giving courses, mainly to black belts.
Even at seventy years old he was still doing that most weekends until
he suffered a heart attack last year. Of course, that was a bad set
back, but then after nine months or so, he gave a comeback course in
Paris in February, which was attended by 200 black belts. A couple of
months later came the Hasselt course, where we met.
I first saw Kase Sensei teaching in London in 1981, on a course for
the Karate Union of Great Britain. He was going through kata and it
was interesting to see the way he took the form apart and showed such
things as how to best position the body in relation to the opponent.
In Hasselt the class went through some prearranged kumite techniques
and attacking combinations, but mainly Kase concentrated on
fundamentals - stance, breathing, defence and blocking techniques. He
started his first session with practice on the opening movements of
Sochin kata, working on kime and rooting yourself to the ground, and
he explained that in such a position you should feel "as if you weigh
two hundred kilograms". The class then went through a sequence of
open handed (shuto) movements, first done slowly with coordinated
breathing - this resembles Goju practice - and then quickly, with
sharp kime. When he worked on blocking techniques, Kase had the class
first practice the blocks with a full range movement and maximum
power, but then the movement had to be reduced, firstly to a half-
range movement, and then to just a few inches - while still retaining
the power. In combat you wouldn't have time to do a full range
blocking technique, but even with short range blocks you should be
able to hurt the opponent's attacking limb, or knock the opponent
away with the force of the block. Kase told the students that this
was a "speed plus power karate", and he also explained that in kumite
you should be able to go "from zero to one hundred percent" in an
instant.
Kase stressed to his followers that theirs was a "Budo karate", and
when I talked to him later I was impressed at how he could talk with
authority on the wide range of Japanese budo. He spoke about kendo,
about judo, and about such famous judomen as Kyuzo Mifune and
Masahiko Kimura, both of whom he had known personally; about Morihei
Uyeshiba and Aikido, (which he summarised as "Daito-ryu plus
Shintoism"); about such figures as Yukiyoshi Sagawa, the ninety-odd
year old expert in Daito-ryu who died a couple of years back and who
some thought was better than Uyeshiba, ("some said second to Takeda",
Kase mentioned). When his senior student, Dirk Heene, mentioned a
friend who was trained in Hakko-ryu Ju-jutsu, Kase was able to
explain the origins of Hakko-ryu. Of course, he was fully aware of
the other styles of Japanese karate, and knew many of the leading
figures in the Japanese karate world; Mas Oyama, for example, who he
had known way back in the post war years, when they had briefly
trained together in judo.
While teaching, Kase Sensei was affable and patient. Understandably,
he didn't exert himself too much, but when he did show a couple of
techniques he was surprisingly sharp, especially for a seventy one
year old recovering from a heart attack. The classes were for black
belts only, with many of the participants having over twenty or
thirty years karate experience behind them. Some had switched from
other organisations, often after their competitive careers had ended
and they became aware of a lack of depth or direction in their
training. With Kase, some of them told me, they had found a fresh way
forward.
I don't practice Shotokan karate, and I can't make any judgements on
the various organisations which teach it, but the Kase group seemed
very loyal, and Taiji Kaseís influence benign. After all the training
and gradings, and a long and busy day for Kase Sensei, there was a
meal, and this was where I was able to talk to him for a couple of
hours and ask all my questions. He was straightforward and amiable,
jovial even. When the meal was finished Dirke Heene drove me, and
Kase Sensei and his wife, back to our hotels. Shortly before we
reached my hotel Kase asked me about the British karateka he had
known from the 1960's ... Bob Poynton, Andy Sherry, Terry O'Neill,
Frank Brennan. Were they still training? Yes, I replied they were.
That was good, he said. They were separated now in different
associations, but they were still all one Shotokan family, and
everybody should keep their karate strong.
We had arrived at my hotel. And I can remember Kase Sensei's final
words as I got out of the car and said my goodbyes. "Remember", he
said, "If you see them - tell them to keep training!"
Graham Noble 2000 |